Even though the Goertz-Wrisberg family had been collecting for generations, it wasn’t unitl 1778 that it officially structured its library in the family castle in Wrisbergholzen, Germany. The library included books in a wide range of subject in several languages, including English. The project brought to fruition a large scale binding project, with many books bound in vellum, making for a so-called ‘white library.’ Mixed in were bindings in leather.
The library was dispersed starting about 1902 and nearly 4,000 Goertz books made their way to Princeton in 1907-1908, where a number were retained as a separate special collection and a good number were dispersed into other existing collections. Recently discovered in the general rare book collection is the Goertz copy of an early 17th century English imprint covered with elaborately tooled boards dating from 1569. Such 18th century repurposing of 16th century boards to cover a 17th century book is a particular case of a special practice called ‘remboîtage,’ which according to the authoriative online dictionary for bookbinding terms, Legatus.com, is ‘transferring into a superior binding of a text more interesting or valuable than the one for which it was made.’ (There is no native English term in bookbinding vocabulary for such a confection, so the French term is used.)
Research has revealed the name of the 16th century bookbinder who tooled the boards as well as the name of their original owner. Key to identifying the binder were not only the particular motifs of the tooling but also the initials ‘D V’. The general pattern of the tooling is a framing array of rectangular panels made incrementally by narrow bands resulting from a rolling tool being impressed into the leather. The panels divide into two major groups – the outer panel and the inner panel. The outer panel is made up with what the Germans call a ‘portraitrolle’: profiles of individuals in ovals connected by patterns of foliage. In this instance the profiles are labled ‘Martinus Lutter’, ‘Joannes Friderich Dux’, ‘ Virgilius Maronis’ and ‘Priamus Rex Trojaneru’ The inner panel consists of a ‘tungendenrolle,’ that is, depictions of figures of virtue. In this instance, these are ‘Justicia’, ‘Pruden[tia]’,'[Suavitas] 1544′, ‘Lucrecia’ with initials ‘D.V.’ Furthermore, stamped just above the inner panel are the initials ‘L K D’ and just below the inner panel the date ‘1569’.
A keyword search in Google for the labeled portraits as well as the figures of virtue turned up an identically tooled binding dating from 1568 in the library of the University of Rostock. The description of the Rostock binding reveals two key points: ‘D.V.’ are the initials used by the bookbinder Dietrich vom Lohe (before 1529 – c. 1583), who worked in Rostock. He was also author of the Rostock Chronicle. The owner’s initials ‘L K D’ are those of ‘Laurentius Krichovius (Kirchhoff) Doctor,’ Professor of Jurisprudence at the University of Rostock and onetime Rector.
Sources:
Identification of binding: Die Inkunabeln der Universitätsbibliothek Rostock : mit den Inkunabeln der Landesbibliothek Mecklenburg-Vorpommern in Schwerin und der Kirchenbibliothek Friedland (Weisbaden, 2003) entry D9, p.208, and Anna Maria Floerke “Die ersten Buchbinder in Mecklenburg-Schwerin,” in I. Schunke (ed.) Beitrage zum Rollen-und Platteneinband im 16. Jahrhundert Konrad Haebler zum 80. Geburtstage am 29. Okt. 1937 gewidmet (Leipzig, 1937), p.266-267.
Laurentius Krichhoff: https://de.wikipedia.org/wiki/Laurentius_Kirchhoff
Dietrich vom Lohe: https://de.wikipedia.org/wiki/Dietrich_vam_Lohe






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